Another busy one….it started the first day of the month with mom’s birthday…..my daughter boyfriend contributed to the celebration dinner with this sooooo good appetizer, canapes with cannellini beans and bacon
my daughter with her famous zucchini and speck pie
I baked some mini pizzas….
a lasagna pan….
and some tasty asparagus
My mom baked her favourite cake, with pineapple and rhum.
One of my collegue, after years of partnership, decided to marry, so one day we had lunch all together to celebrate her…..for once, no problems, no resentment, no hierarchy, just happy faces….
The second-last day of this so very beautiful, unusual and interesting exhibition, my daughter and I hurried to visit, and I’m so glad we did! “A tea with Queen Elizabeth II” at the Glauco Lombardi Museum in Parma, is an idea of Marina Minelli, journalist and historian, with a true passion for crowned heads around the world. In the two ground floor halls of the Riserva Palace, more than three hundred pieces of ceramics (created by companies such as Wedgwood, Spode, Burleigh, Royal Albert, Mason’s, Churchill, Royal Doulton, Aynsley) tell the story of the royal family starting with Queen Victoria, Elizabeth II’s great-grandmother, whose long reign not only coincides with the exponential growth of manufactories in the famous Staffordshire district, but it also paves the way for the great celebrations both political and familiar of an ever-popular and beloved dynasty.
Memorials, or as they call it overseas, ceramic commemoratives are one of the key elements of this relationship. Mugs, cups and teapots decorated with symbols of the monarchy or with the faces of real royal characters favor the popular sharing of events related to the dynasty because through these objects the subjects can symbolically take part in a celebration and do it through the English rite for excellence: the afternoon tea.
On display there are objects dedicated to Edoardo VII, Prince of Wales for all his life, but king only for nine years, and then to his son Giorgio V, celebrated in potteries along with his very royal wife Mary, at the coronation in 1911 and later for the Silver Jubilee in 1935. By the end of 1936 his heir Edward VIII decided to abdicate to marry the woman who has been dating for years and abdication not only deeply marks British history but also risks sending the ceramic factories to bankruptcy. The production of coronation items has already begun and hundreds of manufactures must suddenly head back, store mugs and cups with the face of the former king and create new ones with the reassuring image of George VI and Queen Elizabeth.
(below, Marina, exceptionally present for the day, explaining to us what we were admiring)
Young Elizabeth II continues the heritage of the royal family after his father’s death on February 6, 1952, and his coronation on June 2, 1953 represents not only the beginning of a new kingdom, but the rebirth of a country that bravely endured Hitler’s bombs but still carries the heavy signs of a devastating war. The amount of memorabilia produced for the occasion is directly proportional to the popular enthusiasm for the new kingdom and it attests not only to the importance of the Westminster ceremony, whose ritual is unchanged from the Middle Ages, but also to the economic and social recovery of England and its industries after the nightmare of the conflict and the restrictions on rationing. Other items will be produced in the years to come for the wedding of Charles and Diana in 1981, for the birth of their children and grandchildren, for the jubilees of the queen and for her nineteenth birthday celebrated in 2016.
There are also postcards, newspapers and magazines in English, French and Italian from the 1950s to the present, which help to rebuild the events of the period. In addition, some special services for the Coronation of 1953 and the Silver Jubilee of 1977 have been used to set up vintage tea tables and dining tables.
For this event – notes Francesca Sandrini, the museum curator – there is also some contribution coming from the collections of the Museo Lombardi, that made available two of its pieces, never exposed to the public and yet consistent with the exhibition proposed, such as a beautiful desk service decorated with jasperware medallions and a great print of Queen Victoria’s crowning in 1838.
(below, Marina explaining how to set up a true english tea table)
It really was an amazing experience, loving all that’s english as we do!
And then it was my birthday…..I celebrated it first having lunch with two of my collegues/friends at our favourite vegan restaurant…..
That night I had dinner with my family….and I got some gifts…..